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| J.C.Verdier
La Platine |
| The
Turntable |
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LABORATOIRE
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| J.C.
Verdier has been manufacturing this turntable for over twenty years
for the French home market and for export to the USA, Germany and
the Far East where it has achieved great acclaim. |
| Here
are some of its unique features that not only make this deck very
special but endear it with a magical sound quality. |
| 1 |
Pneumatic decoupling of the
turntable plinth to the turntable support. |
| 2 |
Very simple setting up procedure.
The plinth can be levelled from above by three knurled adjusters. |
| 3 |
Solid 16kg non-magnetic stainless
steel platter which has no influence on the phono cartridge. |
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Magnetic repulsion of the platter
to the plinth removes the need for thrust bearing. |
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Mechanical decoupling of the
record spindle to the platter. |
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Optional belt or thread drive. |
| 7 |
High specification low inertia
high torque motor. |
| 8 |
Seperate isolated motor removes
motor vibration from entering the turntable. |
| 9 |
Fully adjustable speed control
for 33 & 45 RPM. |
| 10 |
Provision has been made for
fitting two tone arms. |
| 11 |
Two arm boards are provided,
one pre-drilled for an SME and one blank. |
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The Platine Verdier
turntable is an exceptional piece of audio equipment. It is not
fussy about what type of recording you choose to play, because every
record you play on this deck will sound wonderful. The Platine Verdier
excels in producing a fast dynamic full bodied sound, natural in
presentaion with tremendous bass extension allowing all the dynamics
of the performance to be fully re-created. This is heard to effect
on solo piano performances where the bass cords creates the illusion
of music, making the piano sound like it is in the room with you.
Vocals are naturally recreated in the acoustic with an awesome holographic
presentation. This is particularly noticeable on Opera. The one
thing you are not aware of when listening to this turntable is its
imaging ability. This is because the performance is just being played
in front of you, just like it would be if you were there! Stereo
imaging is taking place but you don't notice it specifically, because
you are desperately trying to take in what you are hearing. The
Platine Verdier works extremely well with the SME 3012-R tonearm
and the Ortofon SPU cartridge. In fact SME are making a special
version of the 3012 specifically for GT Audio to work on this turntable.
I cannot stress enough how good this combination is, and if you
are serious about vinyl replay you simply must get to hear one." |
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| TECHNICAL SPECIFICATIONS |
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| Bearing type : Opposed
magnets running on a vertical shaft.
Speeds : 33 and 45
Drive : Thread (or belt)
Motor : Separate unit with optional battery supply
Tonearms : Two
Lid : No
Dimensions (WxHxD): 390 x 23
x 410 (turntable only)
Weight: 65 kg
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"HI-FI
NEWS - February 1999" |
PLATINE
Verdier
A Review by JAMES M HUGHES |
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At £5000,
this combination represents a substantial outlay, but it won't disappoint
lovers of vinyl |
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Size matters. So
do stability and solidity. They matter because music isn't always
comfortable and predictable. Halfway through the Andantino of Schubert's
penultimate piano sonata (D959) is an extraordinarily agitated,
nightmarish passage, quite out of keeping with the tranquil mood
in which the movement opens. Playing Claudio Arrau's LP version
[Philips 6514 368] can be a nerve-wracking experience: will the
pickup cope with the extreme transients or will the sound break
up? Only the finest turntable/arm/cartridge combinations will survive.
Security definitely matters...
Everyone knows LPs
can sound great. But they're also infuriating: frustrating and disappointing
when things aren't right. Even the most ardent enthusiast must wonder
at times if records are worth the bother: vinyl can be temperamental
and unpredictable. When you run LP and CD side by side, it's essential
that the negative aspects of vinyl surface noise, peak level distortion,
pitch instability - don't obtrude. The lifelike ease and naturalness
of LP is very addictive; but it's a fragile pleasure and easily
compromised. |
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Spending
£5000 on a record player is undoubtedly a sizeable investment.
Those indulging their passion for vinyl to this degree will
rightly expect something special.
Because there's more slippage with the linen belt, a two-position
switch at the back of the power supply is provided to increase
the speed of the motor slightly. Fine speed adjustment is
possible at both 33 and 45rpm, and the tensioning of the linen
belt changes the speed of the deck - and thus the sound. So
check running speeds with a strobe when setting up.
MAGNETIC CUSHION
But the main bearing is the
star of the show. With such a heavy planer, this needs to
be pretty massive, and it is: an inverted 20mm diameter
shaft some 68mm long. But there's no supporting bail or
thrust plate; instead, the spindle and underside of the
planer are surrounded by two large ceramic ring magnets
that repel each other, thus allowing the planer to float
on a magnetic cushion.
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Verdier claims
that ifs main bearing is the quietest ever, as the planer is vertically
isolated. Of course, the sides of the bearing are in contact with
the shaft, but the use of thick oil and a high standard of finish
ensure minimal noise and friction. Which leads to one of the Verdier’s
little foibles: the bottom of the main bearing is designed to leak
oil!
With an inverted bearing, gravity causes lubricating oil to flow
to the bottom of the shaft, leaving the top part dry. The Verdier
has a small grub screw near the LP centre spindle that tan be removed
to allow oil to be poured into a reservoir at the top of the bearing.
Over tune, this oil will eventually make ifs way to the bottom of
the shaft where it collects and exits via a small hole. You simply
put a piece of paper under the deck to catch the drips...
If all this conjures
up visions of getting out dip-sticks to check oil levels before
going for a spin, don’t worry. The oil reservoir is generous,
and the rate of seepage low. Also, as the oil is thick, it tends
to cling to the sides of the bearing. All the same, this turntable
needs rather more maintenance than your average deck. Incidentally,
the bearing tan be fitted with a bail and thrust plate, by-passing
the magnetic support. but apparently it doesn't then sound as good.
The heavy plinth is
made from Medite and finished in high gloss piano-black. The arm
support board needs to be quite deep to raise the arm sufficiently
because of the deep planer; two are provided - one cut for an SME,
the other blank. Three large finger bolts adjust the sprung suspension
so the plinth tan be levelled. As with many open-design turntables,
no lid is provided. |
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Fine
speed adjustment is possible at both 33 and 45rpm, and the
tensioning of the linen belt changes the speed of the deck
and thus the sound. So check running speeds with a strobe
when setting up |
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One
of the two opposing magnets which provide a no Contact
‘air cushion' main bearing |
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And the Platine
Verdier turntable, when fitted with 12in SME 3012R arm and an Ortofon
SPU Classic doesn't disappoint. Here is a combination producing
clean, solidly-focused sound, with tremendous width and depth, having
the presence and control of CD yet all the natural warmth of LP.
The music has exceptional
range - both dynamically and tonally - enhancing the feeling of
space and depth around voices and instruments. Bass is solid and
firm, while treble is focused and sharp; stereo imaging is detailed
and wide. Underpinning this is a reassuring sense of solidity: listening,
you know that nothing short of an earthquake is going to upset the
music.
A STABLE FOUNDATION
That's important. Especially
for those who listen to CD as well as LP, and are accustomed to
its stability and consistency. Of course, even a turntable as good
as this won't hide faults, won't camouflage rough surfaces. But
neither will it exaggerate them. Difficult LPs like Arrau's Schubert
-reproduce cleanly, allowing one the security that everything is
under control.
Instrumental, vocal,
choral, orchestral, rock, jazz - all types of music, from simple
to complicated, reproduce well. When the music is complex and busy,
things don't crowd up - the sound remains clean, detailed and articulate.
Clearly, the Platine
Verdier provides a good solid foundation for the arm and cartridge
to do their job. But the excellent tracking ability of the Ortofon
SPU Classic is also important. `Classic' is a worthy designation:
the sleek lines of this beautiful cartridge/head remind one of a
vintage 1950s sports car. It plays at robust downforces of between
3 to 5 grams, and some may worry that this will accelerate record
wear. However, this isn't so, because the elliptical stylus profile
is quite broad, spreading the load.
Cosmetic finish is good, but some details disappoint. For example,
the large bolt and washer that secures the arm block looks rather
crude. True, there is a plastic cover for the nut, but the silver
washer is still visible. I also feel the surface colouring of the
magnetic enclosures looks cheap like the plated steel chassis of
an inexpensive Japanese amplifier. A black finish would be better.
Although the Platine
Verdier is a universal turntable, compatible with most arms, UK
importer GT Audio feels the combination of the 12in
The heavy plinth is
made from Medite and finished in high gloss piano-black. The arm
support board needs to be quite deep to raise the arm sufficiently
because of the deep planer; two are provided - one cut for an SME,
the other blank. Three large finger bolts adjust the sprung suspension
so the plinth tan be levelled. As with many open-design turntables,
no lid is provided.
Cosmetic finish is
good, but some details disappoint. For example, the large bolt and
washer that secures the arm block looks rather crude. True, there
is a plastic cover for the nut, but the silver washer is still visible.
I also feel the surface colouring of the magnetic enclosures looks
cheap like the plated steel chassis of an inexpensive Japanese amplifier.
A black finish would be better. |
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At this sort of playing weight the stylus
has a definite cleaning effect, removing ticks and plops as
it traces the groove. Background noise (including bearing
rumble) is exceptionally low with the Platine Verdier anyway
-something one expects with turntable and arm of this calibre.
But the SPU tracking at 4g+ definitely helps. See if some
of your noisy LPs aren't quieter after a few plays with an
SPU!
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| The Platine comes with
an optional linen thread drive bel |
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If size and weight
are any guide, you certainly get your money's worth here. But
there's more to the Platine Verdier than mass: this is a very
carefully thought-out design that introduces a number of engineering
innovations. The heavy stainless-steel platter, ultra-quiet main
bearing and rigid construction impart a solid feel to the music
akin to the stability you get from master tapes.
Pitch stability is
excellent - hardly a surprise given the use of a high-torque Philips
motor and massive 16kg platter, some 60mm thick. The motor itself,
a 12V DC design intended for critical professional applications,
apparently costs around £250, and sits in a separate box
completely detached from the main turntable plinth. The platter
is driven with a rubber belt or, alternatively, a piece of linen
thread. An exceptionally wide support platform is required - or
two supports, one for the turntable, the other for the motor.
(Incidentally, GT Audio supplied a handsome dedicated stand for
the review sample.)
Both types of drive belt were included, but I preferred the linen
option finding it slightly clearer, and superior in terms of separation.
Although the Platine Verdier is a universal turntable, compatible
with most arms, UK importer GT Audio feels the combination of
the 12in
SME 30128 and Ortofon
SPU (either Classic or Gold) works especially well. I had a few
prejudices about the SME arm, and wondered if it was up to being
used in such august company. But it did work very well: the new
version of the 3012 is much improved over the 1960s original, and
it's good to be able to change cartridges so quickly and easily.
Perhaps there might be further improvements with different arms
when using more conventional pickups than the SPU. I tried Ortofon's
MC-30 Supreme, the Transfiguration Spirit, and an old but virtually
unused MS Brier in the SME, ail with very good results. Even so,
I must agree with GT Audio about the special quality of the Verdier/SME/Ortofon
combination; the SME really suits the SPU. GT Audio's SME 30128
has a number of special modifications that include improved cloth-covered
internal wiring and changes to the bearings. |
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magnificent turntable then, no shadow of a doubt - one that
maximises the positive aspects of vinyl replay while minimising
faults and limitations. Here is a turntable able to do full
justice to ail kinds of material, whether it's just a few
voices and acoustic instruments, or a complex layered electronic
piece. It lets you forget about the mechanics ,,f playing
records, leaving you free to concentrate on the music.
And what could be better than that ? |
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Another review
by HI-FI+
Link to
other products of J.C. Verdier |
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